Like Mystery but with exposed bloody bones

First, a quick announcement —Lone Survivor: The Director’s Cutis out now onPSNand it is incredible. We should have a review for you soon.

LikeLone Survivor,Neverending Nightmaresis a 2D horror game. More importantly, both work to impart real emotional experiences from the developers directly to the players.Matt Gilgenbachnearlylost it all when he madeRetro/Grade. A long time sufferer of obsessive compulsive disorder and depression, Matt’s symptoms were severely triggered by all the emotional, financial, and profession risk that came from developing and self-publishing his own game. He stuck it out for years, eventually releasing the game in 2012, suffering financial loses and intense anxiety.

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He took all those horrible psychological experiences and made them into a videogame.

Neverending Nightmareslooks benign on the surface, with a quaint-but-creepy Edward Gorey inspired art style, only to seamlessly shift into being extremely violent and disturbing. It’s a simple game to control, using the direction/analog pad and just one action button, but not everyone will easily be able to see all the content the game has to offer. They’ll be too freaked out. If this andLone Survivorare an indication of where Horror games are going, color me excited (and appropriately uncomfortable).

John and Molly sitting on the park bench

The game isn’t quite funded yet; it’s getting close, but it only has five more days to make it happen. We’ll have Matt on The Core,our new live stream show, this Thursday at 3pm, so make sure to tune in if you’d like to know more.

Close up shot of Marissa Marcel starring in Ambrosio

Kukrushka sitting in a meadow

Lightkeeper pointing his firearm overlapped against the lighthouse background

Overseer looking over the balcony in opening cutscene of Funeralopolis

Edited image of Super Imposter looking through window in No I’m not a Human demo cutscene with thin man and FEMA inside the house

Indie game collage of Blue Prince, KARMA, and The Midnight Walk

Close up shot of Jackie in the Box

Silhouette of a man getting shot as Mick Carter stands behind cover